Oslo, 8/31 is both a character sketch and a social drama (and in that aspect it raises questions rather than delivers a message). The film begins strong and then fades, as other reviewers have noted. I put that mostly down to the script, as the acting and directing are solid-to-excellent throughout. (Love how the sound mix captures the buzz of city life.) Would recommend to lovers of film, those able to have any kind of pathos for an arrogant addict, or those interested in looking at things from a psychological/social standpoint. Others are likely to find Oslo, 8/31 emotionally unsatisfying.

3.5 / 5.0